Show a natural connection
Ask the younger subject to kiss mom or grandmother for natural moments filled with emotion.
Stacie: Tamron SP 17-50mm F/2.8 Di II VC
Make eye contact
Not every portrait requires that your subjects look at the camera. Tell them to look at each other, or have them chat with each other and snap away. If they are talking, be sure to ask them to hold for just a second so that you get good smiles on both subjects.
Stacie: Tamron SP 17-50mm F/2.8 Di II VC
Make Mom feel extra important
Make Mom feel important to evoke emotion that translates into classic photos. To photograph my grandmother, I went to her nursing home. She got to get dressed up, and one of the nurses put a little makeup on her. She loved it, and it was a really special shoot for us.
Liz: Tamron SP 90mm F/2.8 Di 1:1 Portrait/Macro
Use natural light
I find that using natural light also offers an additional benefit: My subjects relax more. When I use natural light, even though I might still be shooting with a big camera, it’s not as scary to my subjects as if I had a big flash on top of it, too. They’re not as intimidated by my equipment because I keep it minimal.
Liz: Tamron SP 90mm F/2.8 Di 1:1 Portrait/Macro
Environment can be key
Taking environmental portraits offers a real sense of your subject’s personality. My mom just redid her kitchen, for example, so I took some really lovely shots of her there. The surrounding environment that speaks of the time and the place is something that’s often overlooked in portraits like this.
Liz: Tamron SP 90mm F/2.8 Di 1:1 Portrait/Macro
Shoot for shallow-depth-of-field
I typically aim for a shallow depth-of-field in this type of portrait. For moms who might be getting older and concerned with things like wrinkles, I would never shoot at, say, F/8. I’ll shoot at F/4 or F/5.6, focusing on her eyes. A bonus; Jump into a shot using your self-timer!
Liz: Tamron SP 90mm F/2.8 Di 1:1 Portrait/Macro
Frame your shots in-camera
<p><p>When shooting, always think about your composition and surrounding area, take some time to frame your shots in camera to save some time during the editing process.</p></p>
<p><p>Stephanie: Tamron SP 17-50mm F/2.8 Di II VC</p></p>
Pose your subject
One of my favorite tips I learned from a photography seminar is to have your subject bring her chin forward and down.
Stephanie: Tamron SP 17-50mm F/2.8 Di II VC
Get out of the direct sun
To create the most flattering images, move away from direct sunlight to avoid harsh shadows around the eyes.
Stephanie: Tamron SP 17-50mm F/2.8 Di II VC
Get your subject moving
Explore different angles and poses while always keeping your focus on the eyes. Don’t be afraid to move around your subject.
Stephanie: Tamron SP 17-50mm F/2.8 Di II VC
Don't let the clouds hold you back
If you’re heading outdoors, overcast days work best for portraits. I love when it’s a little cloudy, because you get natural light without that bright, harsh glare. If it’s a sunny day, search out open shade.
Hollie
Take a break from posing
<p>I really like photos where subjects don’t know when you’re taking the picture. When you tell someone to pose, you might get a generic, forced smile. My favorite pictures are always the ones you don’t plan for. Being a mom is all about the kids, so incorporate them into some of the shots and let them play, not pose. If you get a picture of Mom with her kids and they’re all laughing, you just see that connection they have.</p>
<p><p>Hollie</p></p>
Looks for outward signs of affection
This photo of a grandmother and granddaughter was taken in a lamp-lit room at night. It was lit well-enough for me to use an ISO of 200, which gives a nice crisp shot. A higher ISO would be needed if there was less light or if they were moving in order to stop the blur.
Janet: Tamron 18-270mm Di II VC PZD
Seek out the open shade
Sometimes noon is the only shot you have at taking pictures for the day. If that is the case, seek out a little bit of shade. Don't bury your subjects deep in shade, but stand them just at the edge so that the sunlight bounces into them for nice even lighting, no raccoon eyes, and beautiful highlights in the eyes.
Stacie: Tamron SP 17-50mm F/2.8 Di VC